A chaconne is a musical dance form in triple metre, popular during the Baroque and consisting of a theme with variations. Just to name a few composers, Telemann, Pachelbel, Couperin, Vivaldi have written chaconnes (the links refer to YouTube).
But when music lovers talk about The Chaconne. they mean the last movement of Bach’s Partita No. 2 in D minor for solo violin.
Yehudi Menuhin called it “the greatest structure for solo violin that exists”
And Joshua Bell has said the Chaconne is “not just one of the greatest pieces of music ever written, but one of the greatest achievements of any man in history”
Over the years I have heard Bach’s chaconne numerous times and still it affects me deeply. There has been a time that I thought it would be perfect music for my funeral, but later I decided that it might take too long.. :-).
Of course you can find numerous versions on YouTube. Here is beautiful one, performed by talented violinist Hilary Hahn.
She plays the chaconne quite slowly (almost 18 minutes), most performers play it faster, in about 14 minutes. For example Yehudi Menuhin in a recording from 1956.
Not surprisingly, there are also plenty recordings where the chaconne is played on other instruments. An obvious choice is the guitar. In the opinion of some the chaconne sounds even better on a guitar. Personally I don’t agree, but I must admit that for example this performance by John Feely is brilliant and moving.
In my opinion woodwinds are not suitable for this work. The marimba recording is actually quite nice. Organ and accordion are too massive for me. The cello recording is not bad, but I find the range of the violin more suitable.
In 1930 the English conductor Leopold Stokowski wrote a transcription of the chaconne for symphony orchestra. More transcriptions exist, but this is probably the most famous one. Very romantic and dramatic, but emotionally it has no effect on me. Listen to this recording, put the volume on maximum and fasten your seat belts :-). The recording is from 1950 and conducted by Stokowski himself.
You may have noticed that I have not mentioned the piano until now. That was on purpose. Of course there are many recordings for piano. Most pianists play the transcription of Ferrucio Busoni. He was an Italian composer, pianist, conductor, etc, who has transcribed many of Back’s work in a romantic way. More a recreation than a transcription, that’s why it is often called the Bach-Busoni Chaconne. Here is a brilliant recording by .Evgeny Kissin. You can follow the score.
An impressive performance of Kissin, but still I think something is missing.
There exists another transcription, created by Brahms. He wrote it for the left hand alone! A brilliant idea, listen to Daniil Trifonov.
De gustibus non est disputandum (tastes differ), but for me this is the recording that comes close to the original in transparency and emotional power.
The last week I have been listening to dozens of recordings of the chaconne, never boring. It remains for me one of the pinnacles of human culture.